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Rupert Doone (born Reginald Woodfield, 14 August 1903 – 4 March 1966) was a British dancer, choreographer, theatre director, and teacher in London.
He left home at sixteen to begin his career as a dancer with no money. He led a precarious existence, scraping by on what he earned modeling at the Royal Academy and the Slade in order to pay for the lessons. At 19, he left London for Paris, where he became a Mentorship and lover of Jean Jean Cocteau. In 1925 he was the last premier danseur engaged by Diaghilev for the Ballets Russes - but remained with the company only until Diaghilev's death a few weeks later. He then made his way to the Festival Theatre, Cambridge, to learn acting and production, and there he became part of a play-reading group. In 1926 he met and fell in love with the painter Robert Medley, who was the co-founder of the Group Theatre. (2026). 9780415159838, Routledge. ISBN 9780415159838 They lived together until Doone's death in Northampton in 1966.
In 1932, after Medley moved to London, the play-reading group evolved into the Group Theatre (London), which performed left-wing and avant-garde plays during the 1930s and again during its revival in the 1950s.
Despite his prominence in avant-garde theatre, Doone was thought to be a muddled and ineffective stage director by W. H. Auden, Stephen Spender and others, who tried to steer the Group Theatre into more effective productions and organization.
In the 1950s, Doone founded the Theatre School at Morley College, and worked there until his premature retirement as a result of multiple sclerosis.
A portrait of Doone as a young man was painted by Cedric Morris ca. 1923.
Doone made rapid progress as a late starter in dance. He made his first performance in Basil Dean's production of James Elroy Fleck's play Hassan just after few years of his study. At this time, Donne changed his name to Rupert Doone.
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